Experimenting with acrylic paints, fluorescent paints, watercolours, pencils, oil crayons, stencils, etc. on the paper. Just having fun!
Acrylic paint on paper
50 cm x 40 cm, acrylic paints, oil crayons, pencil, marker
50 cm x 40 cm, acrylic paints, pencil, oil crayon
50 cm x 40 cm, acrylic paints, markers, crayons, pencils
50 cm x 40 cm, acrylic paints on paper, oil crayons, pencils
50 cm x 40 cm, acrylic paint on paper, pencils
50 cm x 40 cm, acrylic paints on paper, pencil
50 cm X 40 cm , acrylic paint on paper, pencils
50 cm x 40 cm, acrylic paints on paper, oil crayons, pencils
Just paper (actually, good paper), oil paints and oil crayons. I am just trying to keep it as clean as possible.
oil paints on paper, oil crayons
Some kinds of sketches, but treated with a little more seriousness. Good time, good fun. “The sky has no limits”
Acrylic paint on paper
Inspired by the view from my art studio - acrylic paints on paper, marker
Inspired by the exhibition in Moers “Recursion #1, when Valentine Brux has brilliantly illuminated my fluorescent paintings
acrylic paints on paper, pencils
Watercolours, ecoline, gouache, ink, acrylic, pencils can be mixed together. A good lesson in humility!
watercolours, crayons, pencils
watercolours, pencils
40 cm x 30 cm, watercolours, pencils
40 cm x 30 cm, watercolours, pencils
40 cm x 30 cm, watercolours, marker, pencils
30 cm x 16 cm, watercolours, pencil, paper
Kind of freedom when you can do anything you want with a wall. Who cares?
“NOUMENY” - The title comes from Kant’s philosophy: a noumenon is a “thing-in-itself”, a reality beyond what we can fully perceive. Here, “Noumeny” invites viewers to sense the unseen through abstract forms. A silent space between seeing and understanding. Where what cannot be known touches what can.
Collaboration with experimental musicians in Moers. My fluorescent paintings illuminated by Valentine Brux became the scenography for this event
Experimenting with fluorescent acrylic paints
Acrylic paints on paper
Experimenting with 3 acrylic paints: black, fluorescent yellow and orange, combining them with pencils and markers on the large scale, white (gesso) canvas. Less is more!
300 cm x 125 cm, acrylic paints, markers, pencils
Love the process of painting on my ceramic creations. It takes a lot of time to see the final effect, but curiosity and the big surprise in the end of the process, motivates me to do it!
sandstone, clutch plate, wire, plastic
ceramic, wire, plastic
metal water pump, ceramic, wire, plastic, foam arrows
Oil paints on the board. I love it! The good base for a lot of layers. Easy to scratch, draw and stencil on. Giving me a huge freedom and mess…
250 cm x 125 cm, oil on the board, pencils
250 cm x 125 cm, oil on the board, pencils, oil crayons
the latest, special issue for the 30th anniversary of the Polish art magazine “Format” . Text by art curator Andrzej Mazur
Syntheses. Critical Essays is a unique book in which the author - art critic and art curator Andrzej Mazur - in separate texts presents the profiles and work of 17 artists identified with New Expression, conceptualism, structuralism or geometric abstraction, among others. Among them there are both educators from Academy of Fine Arts. They include both teachers from the Eugeniusz Geppert Academy of Fine Arts in Wrocław and its graduates: Maciej Albrzykowski, Manfred Bator, Piotr Błażejewski, Małgorzata Dajewska, Anita Damas, Wanda Gołkowska, Grażyna Jaskierska-Albrzykowska, Witold Liszkowski, Marlena Promna, Piotr Saul, Krzysztof Skarbek, Anna Szewczyk, Radek Ślany, Katarzyna Tomaszewska, Lech Twardowski, Igor Wójcik, Jacek Zachodny.
Culture and Art Centre in Wroclaw - Cultural Institution of the Government of the Lower Silesian Region, OKIS, Wroclaw 2019, Poland
ISBN 978-83-65892-52-2
Syntheses. Critical Essays is a unique book in which the author - art critic and art curator Andrzej Mazur - in separate texts presents the profiles and work of 17 artists identified with New Expression, conceptualism, structuralism or geometric abstraction, among others. Among them there are both educators from Academy of Fine Arts. They include both teachers from the Eugeniusz Geppert Academy of Fine Arts in Wrocław and its graduates: Maciej Albrzykowski, Manfred Bator, Piotr Błażejewski, Małgorzata Dajewska, Anita Damas, Wanda Gołkowska, Grażyna Jaskierska-Albrzykowska, Witold Liszkowski, Marlena Promna, Piotr Saul, Krzysztof Skarbek, Anna Szewczyk, Radek Ślany, Katarzyna Tomaszewska, Lech Twardowski, Igor Wójcik, Jacek Zachodny.
Syntheses. Critical Essays is a unique book in which the author - art critic and art curator Andrzej Mazur - in separate texts presents the profiles and work of 17 artists identified with New Expression, conceptualism, structuralism or geometric abstraction, among others. Among them there are both educators from Academy of Fine Arts. They include both teachers from the Eugeniusz Geppert Academy of Fine Arts in Wrocław and its graduates: Maciej Albrzykowski, Manfred Bator, Piotr Błażejewski, Małgorzata Dajewska, Anita Damas, Wanda Gołkowska, Grażyna Jaskierska-Albrzykowska, Witold Liszkowski, Marlena Promna, Piotr Saul, Krzysztof Skarbek, Anna Szewczyk, Radek Ślany, Katarzyna Tomaszewska, Lech Twardowski, Igor Wójcik, Jacek Zachodny.
Syntheses. Critical Essays is a unique book in which the author - art critic and art curator Andrzej Mazur - in separate texts presents the profiles and work of 17 artists identified with New Expression, conceptualism, structuralism or geometric abstraction, among others. Among them there are both educators from Academy of Fine Arts. They include both teachers from the Eugeniusz Geppert Academy of Fine Arts in Wrocław and its graduates: Maciej Albrzykowski, Manfred Bator, Piotr Błażejewski, Małgorzata Dajewska, Anita Damas, Wanda Gołkowska, Grażyna Jaskierska-Albrzykowska, Witold Liszkowski, Marlena Promna, Piotr Saul, Krzysztof Skarbek, Anna Szewczyk, Radek Ślany, Katarzyna Tomaszewska, Lech Twardowski, Igor Wójcik, Jacek Zachodny.
Syntheses. Critical Essays is a unique book in which the author - art critic and art curator Andrzej Mazur - in separate texts presents the profiles and work of 17 artists identified with New Expression, conceptualism, structuralism or geometric abstraction, among others. Among them there are both educators from Academy of Fine Arts. They include both teachers from the Eugeniusz Geppert Academy of Fine Arts in Wrocław and its graduates: Maciej Albrzykowski, Manfred Bator, Piotr Błażejewski, Małgorzata Dajewska, Anita Damas, Wanda Gołkowska, Grażyna Jaskierska-Albrzykowska, Witold Liszkowski, Marlena Promna, Piotr Saul, Krzysztof Skarbek, Anna Szewczyk, Radek Ślany, Katarzyna Tomaszewska, Lech Twardowski, Igor Wójcik, Jacek Zachodny.
„Wroclife” magazine - about me and Igor Wójcik - text: Andrzej Mazur
ISBN:978-83-64419-87-4 , OKiS Wrocław, ASP Wrocław, 2016
ISBN:978-83-64419-87-4 , OKiS Wrocław, ASP Wrocław, 2016
ISBN:978-83-64419-87-4 , OKiS Wrocław, ASP Wrocław, 2016
My painting “The Stream of Moody” was used by experimental and improvising jazz musician Piotr Damasiewicz (duo with Janek Pawlak)
https://www.facebook.com › piotr.damasiewicz
Piotr Damasiewicz & Janek Pawlak
Piotr Damasiewicz & Janek Pawlak
Piotr Damasiewicz & Janek Pawlak
oil on paper, oil crayons
video made for the Industrial Festival, Wroclaw
The opening of the exhibition “Uniferences” in the gallery “Na zakręcie” in Wisznia Mała, Poland. Art curator - Andrzej Mazur
